Sarah Swenson Choreographer
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Sarah & Simone in Unbuttoned Sleeves (2005)                                                                                                                                                  Photo by Carol Petersen

Simone Forti
                      "The liveliest of the original mavericks of postmodern dance.”               - New Yorker Magazine, 2001
Sarah has been working with Simone Forti since 1998, exploring improvisations, writing, and performing. Together with improvisation artist Luke Johnson and musician/composer Douglas Wadle, they collaborated on five evening length works, performing together as The Sleeves in Los Angeles. Their anthology, Unbuttoned Sleeves, was published by Beyond Baroque in 2006, edited by Fred Dewey. Watch joyland, a solo created for Simone by Sarah from To Borrow Salt.
Sarah performs News Animations and classic solos by Simone Forti.

Sarah is the principal stager and the International Performance Coordinator of Forti's seminal 1960's oeuvre,
Dance Constructions,
acquired by MoMA in December 2015. For Dance Constructions loan information, contact Ana Janevski.

At Work With The Dance Constructions   
By Sarah Swenson - Perspectives Magazine, National Gallery Singapore, July 2, 2021

Simone Forti is represented by The Box Gallery, Los Angeles, and Galleria Raffaella Cortese, Milan.

Getty Acquires Simone Forti Archive

Picture
Photo by Sarah Swenson, 2004
Simone Forti - a rain or shine backyard performance - October 17, 2004

    Venice – Simone Forti and guests graced the front and back yards of the Beyond Baroque Literary Center on Sunday    
    afternoon, with selections from Forti’s repertoire spanning four decades.  Surrounded by loyal fans, friends, and other  
    artists,  the program began with Huddle (1961), a living, moving sculpture, performed with necessary concentration and 
    agility by regular attendees of Forti’s Friday afternoon Logomotion workshop.  Moving to the backyard, Forti continued with
    her 1975 improvisational solo, Striding Crawling, based on her observation and exploration of the movements of other
    species.  Using her trademark Logomotion form, Ms. Forti occasionally spoke while moving, commenting on the quality, shape
    and motivation of various animals; her embodiment of birds was particularly lovely and evocative.  See Saw (1960) was
    performed by local choreographer Carmela Hermann and video artist Andre Andreev.  This structured improvisational
    relationship set atop an actual see saw, elicited anticipation from the viewers and developed nicely with a sense of tension,
    finding a calm resolution.  The program concluded with one of Ms. Forti’s ongoing News Animations - this one commenced
    with her struggle to unfold a representation of an American flag and to lie uncomfortably beneath it.  Very moving, and often
    humorous, Forti uttered a stream of consciousness dealing with militarism, the meaning of home, life in the garden, and the
    heartbreaking toughness and fragility of our existence.  Soon to be 70 years old, Simone Forti was a beauty this overcast
    afternoon, moving with compelling freedom and honesty from her heart, soul and very vibrant consciousness.

-Sarah Swenson