Sarah Swenson Choreographer
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Sarah & Simone in Unbuttoned Sleeves (2005)                                                                                                                                                  Photo by Carol Petersen

Simone Forti
                      "The liveliest of the original mavericks of postmodern dance.”               - New Yorker Magazine, 2001
Sarah has been working with Simone Forti since 1998, and together with improvisation artist Luke Johnson and musician/composer Douglas Wadle, collaborated on five evening length works, performing together as The Sleeves. Their anthology, Unbuttoned Sleeves, was published by Beyond Baroque in 2006, edited by Fred Dewey. Watch Joyland, from To Borrow Salt.

Sarah is the principal stager and the International Performance Coordinator of Forti's seminal 1960's oeuvre, Dance Constructions, acquired by MoMA in December 2015.
For Dance Construction loan information, contact Athena Holbrook.

Simone Forti is represented by The Box Gallery, Los Angeles.

Getty Acquires Simone Forti Archive


Picture
Photo by Sarah Swenson, 2004
                 
Simone Forti - a rain or shine backyard performance - October 17, 2004 4 PM  - by Sarah Swenson
    Venice – Simone Forti and guests graced the front and back yards of the Beyond Baroque Literary Center on Sunday    
    afternoon, with selections from Forti’s repertoire spanning four decades.  Surrounded by loyal fans, friends, and other  
    artists,  the program began with Huddle (1961), a living, moving sculpture, performed with necessary concentration and 
    agility by regular attendees of Forti’s Friday afternoon Logomotion workshop.  Moving to the backyard, Forti continued with
    her 1975 improvisational solo, Striding Crawling, based on her observation and exploration of the movements of other
    species.  Using her trademark Logomotion form, Ms. Forti occasionally spoke while moving, commenting on the quality, shape
    and motivation of various animals; her embodiment of birds was particularly lovely and evocative.  See Saw (1960) was
    performed by local choreographer Carmela Hermann and video artist Andre Andreev.  This structured improvisational
    relationship set atop an actual see saw, elicited anticipation from the viewers and developed nicely with a sense of tension,
    finding a calm resolution.  The program concluded with one of Ms. Forti’s ongoing News Animations - this one commenced
    with her struggle to unfold a representation of an American flag and to lie uncomfortably beneath it.  Very moving, and often
    humorous, Forti uttered a stream of consciousness dealing with militarism, the meaning of home, life in the garden, and the
    heartbreaking toughness and fragility of our existence.  Soon to be 70 years old, Simone Forti was a beauty this overcast
    afternoon, moving with compelling freedom and honesty from her heart, soul and very vibrant consciousness.